Author Archives: camilla

On Friday, October 11, Alfredo Jaar’s work “Tho or three things I know about Monsters” (2016-2019), placed on the facade of the Lancia-Chiribiri parking lot in Turin, Italy, opened. Alfredo Jaar’s light work is a red neon sign with a historic quote from Antonio Gramsci, “The old world is dying.

The Municipality of Fabriano presents to the public “Artificio Naturale” (2011), an environmental sculpture by Paolo Icaro acquired for the collection of the Pinacoteca Civica Bruno Molajoli in Fabriano. The project, curated by Marcello Smarrelli, is promoted by the Municipality of Fabriano and developed in collaboration with the Ermanno Casoli

Gary Hill’s “Continuous Happening” exhibition is hosted at the University City Art Museum of the Guangzhou Academy of Fine Arts in China. This show dives into Hill’s distinctive exploration of language, the body, and technology through immersive installations featuring video, sound, and performative elements. The exhibition focuses on the “materialization”

From October 9, 2024, Pinault Collection presents a major exhibition dedicated to Arte Povera at the Bourse de Commerce. Between heritage and influence, the exhibition features over 250 historical and contemporary works from this major Italian artistic movement of the 1960s.

From October 10th, 2024, to February 2nd, 2025, Palazzo Reale in Milan presents Ugo Mulas. The Photographic Operation, one of the most extensive and detailed retrospectives dedicated to one of its most important authors. Curated by Denis Curti and Alberto Salvadori, it offers an innovative perspective with its main narrative focus

The Drawing Hall, the space that presents contemporary drawing at the centre of its investigation, opens on 4 October with Paradossi dell’abbondanza (Paroxes of Plenty), the solo exhibition by Marzia Migliora curated by Alberto Fiz, on view until 17 November 2024. As it is customary for this space located on the outskirts

Electric Op is the first major exhibition to examine how the Op art of the 1960s and 1970s related to not only industrial machinery, but also the new electronic media of the dawning post-industrial era. At the very moment that Op artists began making works that short-circuit our optical systems,

Gary Hill has tagged the exhibition Loop Through, referring to a singular work as well as being suggestive of a path or circuit from which to experience the selected works.His multimedia installations, performances and video works incorporate a wide range of materials and technologies, along with diverse linguistic concerns. From

Cutting Clouds is a program featuring actions linked by the common denominator of the ephemeral and the impermanent. The title refers to Cloud Scissors, a work conceived in the early 1960s by George Brecht. A few cards dictating places, times, and modes provide the instructions for a possible combined happening, drawing

On stage at the San Carlo Theater in Naples is the one-act tragedy “EleKtra” extracted from Hugo von Hofmannsthal’s libretto from Sophocles’ ‘Electra’. The sets and costumes are by artist Anselm Kiefer.