Among the key works featured in the exhibition at the Museo Nacional de Bellas Artes in Santiago, Señalamiento de tres espacios abiertos (Signalling of Three Open Spaces, 1968) stands out prominently. In this historic conceptual piece,Lamelas temporarily demarcates three areas of open space (such as a park or garden) using
Author Archives: camilla
THOMAS RUFF | Ruin Echoes | Group show | Konschthal esch in esch-sur-Alzette, Luxembourg
The group exhibition Ruin Echoes explores the concept of ruins, historical memory, and the passage of time through contemporary photography and visual media, reflecting on how fragments of the past continue to resonate in the present.Within this showcase, the work by German artist Thomas Ruff (drawn from his acclaimed series
JOSEOH KOSUTH | Vedere le cose (for A.S) | Permanent installation | Museo del 900, Milano
EnglishVedere le cose (Seeing Things) is a site-specific installation by American conceptual artist Joseph Kosuth,installed on the facade of the Museo del Novecento in Milan (Arengario Palace). The artwork features a neon light text quoting art critic and writer Alberto Savinio: “The present, which is to time what the facade
ALFREDO JAAR | The story of Public Art | Group show | Museum of Art in Public Space, Koge Denmark
The exhibition The Story of Public Art in Denmark traces the evolution of art in public spaces, exploring how artworks shape collective memory, urban identity, and social interaction beyond traditional museum walls. Within this narrative,Alfredo Jaar’s work — renowned globally for his site-specific public interventions, such as his landmark project
ALFREDO JAAR | #IFEELYOU | Group show | Kunstmuseum Bonn, Germany
The exhibition I Feel You, hosted at the Kunstmuseum Bonn, investigates empathy, compassion, and emotional connection through contemporary art, questioning how the capacity to share another’s feelings can serve as both an aesthetic and a political act. Within this framework, Alfredo Jaar’s work places the ethical engagement of the viewer
ALFREDO JAAR | Focus: Anchors of Light | Group show | Museum of Contemporary Art, Miami USA
The exhibition Collection Focus: Anchors of Light, hosted at the Museum of Contemporary Art North Miami (MOCA),explores light as a material, metaphorical, and spiritual element through a curated selection of key works from its permanent collection. Within this showcase, Alfredo Jaar’s work Fading (1991) plays a central role: a powerful
ALFREDO JAAR | Tell me Where Home is | Group Show | Kunstmuseum, Wolfsburg
The Tell Me Where Home Is exhibition, hosted at the Kunstmuseum Wolfsburg in Germany (curated by Uta Ruhkamp),investigates the concepts of belonging, migration, and homeland in the 21st century, exploring how the notion of “home” is shaped by both personal experiences and political and social dynamics. Within this context, the
GILBERTO ZORIO | Sotto il Cielo di Stelle | Castello Gamba, Chatillon
The UNDER A SKY OF STARS. Constellation of Art, Sciences, and Cultures exhibition, curated by Fortunato D’Amico, is an exhibition project that weaves together artistic languages, scientific discoveries, and cultural knowledge to explore the ancestral fascination of the cosmos. Through installations and works by contemporary artists, the journey investigates the
GIAN MARIA TOSATTI | Exercises in Empathy: Spiritual Machines | Triennale d’Arte delle Università Cattoliche | Università Cattolica del Sacro Cuore di Milano
The Exercises in Empathy: Spiritual Machines exhibition, hosted at the Università Cattolica in Milan as part of Art Cut 2026 is promoted by the Holy See’s Dicastery for Culture and Education. The exhibition explores empathy and interiority in the age of artificial intelligence by bringing the university’s historic spaces into
WILLIAM KENTRIDGE | Imitate the Sleep of Stones | National Archeological Museum, Athens
The Imitate the Sleep of Stones exhibition by William Kentridge, hosted at the National Museum of Contemporary Art Athens (EMST), is a major retrospective that weaves together memory, political history, and the passage of time. Drawing inspiration from the poetic line in its title, the South African artist contrasts the