MARINA ABRAMOVIĆ | WILLIAM KENTRIDGE | MARZIA MIGLIORA | GIAN MARIA TOSATTI | Group show | Bienal Del Agua “The Traces of Water” 2026 | Centro de Congresos de Estoril, Cascais, Portugal

Bienal Del Agua: An alliance between art, society, and commitment. Under the evocative theme “The Traces of Water” the biennial unfolds as an open and welcoming encounter within the worlds of art and culture, built around an interdisciplinary project that brings together Arts, Science, and Technology. This interdisciplinary approach expresses

MICHELE GUIDO | Giardino Project | Seme • Pianta • Fiore • Frutto | Trepuzzi – Otranto, Italy

The sixth edition of giardino project, titled “Seme • Pianta • Fiore • Frutto”, is dedicated to the artistic research of Michele Guido, whose practice brings together botany, archaeobotany, ecology, rural architecture, and contemporary art. Curated by Giuseppe Amedeo Arnesano, this edition offers a critical reading of the agricultural landscape

MARINA ABRAMOVIĆ | NOWY / WINDY / SPRING ON THE PLANET Z | Site-specific Installation | Ballon Museum, New York, USA

The Balloon Museum, the global atelier for inflatable contemporary art, presents SNOWY / WINDY / SPRING ON THE PLANET Z, a landmark new commission by Marina Abramović and her first work created with inflatable materials. Developed in close collaboration with the Balloon Museum’s engineering and design teams, the immersive installation

Domestic Displacement | Group show | MAC, Gibellina, Italy

Domestic Displacement, curated by Giulia Ingarao and Antonio Leone, is a group exhibition exploring contemporary forms of displacement: physical, cultural, and symbolic. Bringing together fifteen international artists at the MAC Museo d’Arte Contemporanea Ludovico Corrao, the project investigates themes of migration, memory, identity, vulnerability, and the unstable relationship between individuals

MARZIA MIGLIORA | On Paradise | Villa Schöningen, Potsdam, Germany

The group exhibition On Paradise explores the idea of paradise as a cultural construction: a place of desire, projection, control, and transformation. Hosted at Villa Schöningen in Potsdam, the exhibition investigates how visions of paradise have shaped landscapes, bodies, social structures, and political imaginaries, bringing together historical references and contemporary