“David Lamelas: The Machine” is a survey exhibition dedicated to the Argentine artist and his first major solo presentation in New York. A key yet long-overlooked figure of 1960s and 1970s art, Lamelas has worked across painting, sculpture, installation, performance, and film, moving between Conceptual, Minimalist, and Pop art practices.
Author Archives: camilla
ANSELM KIEFER | Anselm Kiefer | Solo Show | CAHH, Centro de Arte Hortensia Herrero, Valencia
From 28 April 2026, the Hortensia Herrero Art Centre (CAHH) in Valencia will present the first exhibition in the city dedicated to Anselm Kiefer, developed in close collaboration with the artist and spread across six galleries. The project stems from a long-standing relationship between Kiefer and collector Hortensia Herrero,
WILLIAM KENTRIDGE | The Battle Between YES and NO | Solo Show | Kunsthalle Praha, Prague
“The Battle Between YES and NO” is the first major exhibition in Czechia dedicated to William Kentridge. Raised in Johannesburg during apartheid, Kentridge developed an artistic practice shaped by South Africa’s social and political history, while addressing universal themes such as exile, memory, and desire. Working across drawing, film, sculpture,
MARINA ABRAMOVIĆ | Dudamel/Abramović | Teatro San Carlo, Naples
The Teatro di San Carlo presents a major new production born from a collaboration between conductor Gustavo Dudamel, performance artist Marina Abramović, and filmmaker Nabil Elderkin, who also directs the video component. The visual design includes lighting by Pasquale Mari. At the center of the program are two works that
VANESSA BEECTOFT | GINO DE DOMINICIS | MOCELLIN-PELLEGRINI | GILBERTO ZORIO | Tragicomica | Group Show | MAXXI, Rome
“Io sono un santo” is written in cursive on a canvas that has been torn and cut across its surface—one of the earliest examples of Lucio Fontana’s unmistakable artistic gesture. On the reverse, however, appears the phrase “I am a scoundrel,” forming an ironic self-portrait that subverts the idea of
ANSELM KIEFER | I wish to die in autumn moonlight even in darkness not to be lost | Solo Show | Lia Rumma Gallery, Milan
Running parallel to The Women Alchemists, which Kiefer conceived for the Sala delle Cariatidi at Palazzo Reale (open through September 2026), the exhibition at Lia Rumma further expands his continued research of the “alchemists,” delving deeper into the role of other female heroines who, over the centuries, made fundamental contributions
WILLIAM KENTRIDGE | Wool. Silk. Resistance | Group Show | Museum Angewandte Kunst, Frankfurt, Germany
With Wool. Silk. Resistance., the Museum Angewandte Kunst focuses exclusively on rugs, carpets, and tapestries for the first time in 45 years, at a moment of renewed global interest in handmade textiles. Rather than a traditional art-historical approach, the exhibition explores these works through the lens of resistance: how rugs,
UGO MULAS | Dalle origini ai maestri | Solo Show | Sala Civica, Pozzolengo, Italy
Pozzolengo honors Ugo Mulas with the exhibition Ugo Mulas: Pozzolengo. Dalle origini ai maestri at the Palazzetto della sala civica. The exhibition, promoted by the Municipality in collaboration with the Ugo Mulas Archive and Fondazione Il Vittoriale, features his series dedicated to masters such as Lucio Fontana, Marcel Duchamp, and Fausto
UGO MULAS | Ossi di seppia. Per Eugenio Montale | Solo Show | Fondazione il Vittoriale degli Italiani, Gardone Riviera, Italy
An intense and evocative encounter between two artistic languages — photography and poetry — and two major figures of Italian culture, Ugo Mulas and Eugenio Montale, who engage with the same subject: the impression and concept of the Ligurian landscape. Through the photographer’s precise and lyrical gaze, the images convey
JOSEPH KOSUTH | The-exchange-value-of-language-has-fallen-to-zero | Solo Show | Casa dei Tre Oci, Venice
Lia Rumma Gallery presents The-exchange-value-of-language-has-fallen-to-zero, an exhibition by Joseph Kosuth at Casa dei Tre Oci, opening 28 March 2026. Kosuth, renowned for exploring language as both subject and content, debuts a new large-scale neon commission, A Chain of Resemblance (2026), based on a text by Michel Foucault, highlighting how meaning