SHIRIN NESHAT | Do U Dare! | Palazzo Marin, Venice

Visual artist and filmmaker Shirin Neshat premieres a new film trilogy this May, concurrent with the 2026 edition of the Venice Biennale, curated by Ilaria Bernardi and Bartolomeo Pietromarchi, organized by Associazione Genesi (founded by Letizia Moratti in 2020) and Banca Ifis, and presented by Lia Rumma Gallery  and Gladstone Gallery

AGNIESZKA KURANT | Data Dreams: Art and AI | Group show | MCA, Australia

Data Dreams considers artificial intelligence and its impact on contemporary life through the work of 10 visionary artists. Presented as part of the Sydney International Art Series 2025–26, Data Dreams is a groundbreaking Australian premiere that brings together boundary-pushing artists from across the globe. Together, their work examines how artificial intelligence is

TOBIAS ZIELONY | Solo Show | Les nuits électriques | Le Centre d’art de photographie de Bergerac, Bergerac

The Centre d’art de la photographie de Bergerac presents Tobias Zielony’s first solo exhibition in France, Les nuits électriques. The show examines contemporary youth and urban environments through photographs and a video depicting life in Naples’ large housing projects (Overshoot, Vele), LGBTQIA+ and techno communities in Kiev (Maskirovka), and the

MARZIA MIGLIORA | Group Show | Saturnalia | Fabbrica del Vapore, Milan

Saturnalia, curated by Olga Gambari and Susanna Ravelli, is a group exhibition reflecting on the deeper meaning of the Saturnalia festival, evoking themes of equality, fraternity, and community. The selected artworks reinterpret this ancient celebration as a symbolic landscape where individuals recognize themselves as part of an interdependent collective, prompting

WILLIAM KENTRIDGE | Installation | More Sweetly Play the Dance | Grande Brera – Palazzo Citterio, Milan

At Palazzo Citterio – Grande Brera, the Metafisica/Metafisiche project features an original homage by William Kentridge to Giorgio Morandi. The installation explores the formal and conceptual legacy of the Bolognese master, emphasizing time, memory, and rhythm as visual material. Through sequences of images and poetic gestures, Kentridge engages with Morandi’s