Gloria Moure, the curator, recounts the major exhibition that opens just a few weeks after the artist’s death: “It is totally his creation, he chose the works and their dialogue, the layout and the texts”. The exhibition brings together a set of particularly significant works that provide a comprehensive analysis of Anselmo’s artistic practice, from his first sculptural experiments in the 1960s, in which he challenged the notion of fixed structure up to his latest work, ‘While towards beyond the sea, colour lifts stone’, a site-specific work for the Guggenheim Museum, which was not only specially conceived for the gallery space that hosts it, but was also made with limestone from one of the quarries still active in the Basque Country.