Continuing with a thread of works that comingle language, memory and vision between extremities of light and darkness (Midnight Crossing, 1997 and The Storyteller’s Room, 1998, The Slow Torque of Bonsai, 2017), Afterwards will utilize considerably more found objects—debris, surplus, cast out furnishings, tools etc. that are consciously setup to generate overlapping vague narratives produced similarly to the previous works by using singular pulses of extreme light (harnessing the instant on capability of strobe lights) coinciding with speech acting as a trigger.