Author Archives: camilla

The exhibition ARCHIVIALE_001 will open at the Museo del ‘900 on 10 April and will be on show until 30 June 2024. Unfortunately, the Museo del ‘900 will be closed from 11 to 13 April due to the G7 meetings in Milan, and will reopen to the public on Sunday

The Archivio Vicenzo Agnetti presents the exhibition “Tra me e l’alfabeto inesistente”, which opens on the 8th of April to accompany the Milan Art Week, and which features some of Agnetti’s works. It will include his self-portrait “When I saw myself I was not there”, a multi-vocal performance in dialogue

On the occasion of Milano Art Week, Michele Guido will open the exhibition ‘Kosmos’ at the Milan space The Open Box on Tuesday 9 April with Andrea Francolino

This presentation will bring together works specially created by the artist for the museum’s very special architecture, in dialogue with that ode to nature and beauty formed by Monet’s Nymphéas. In the works of Wolfgang Laib (born in Germany in 1950), nature invades art. As a result, his materials, which

The Kestner Gesellschaft is delighted to announce a new façade project: BE AFRAID OF THE ENORMITY OF THE POSSIBLE. The title of this work is based on a quote from the Romanian philosopher Emile Cioran (1911-1995). Emile Cioran is one of Alfredo Jaar’s favorite authors and is frequently quoted by

The New National Museum Munich – Villa Sauber is going to host an exhibition on Pier Paolo Pasolini titled ‘Pasolini in Chiaroscuro’ from 29th March to 29th September. The exhibition explores the influence of classical and contemporary painting on Pasolini’s cinema. It features a variety of pieces, including film excerpts,

Palazzo Strozzi is proud to host an exhibition conceived and realised in collaboration with Anselm Kiefer titled “Anselm Kiefer. Fallen Angels”. The exhibition provides an opportunity to engage with the German artist through a collection of historical works and new productions, including a large new work created in dialogue with

William Kentridge’s new 9-episode series, Self-Portrait as a Coffee Pot, will premiere in Venice in an installation curated by Carolyn Christov-Bakargiev. Shot during, and in the aftermath of, the 2020–2022 COVID-19 pandemic, and completed in 2023, these works will be viewed in a unique, concentrated environment that partially recreates Kentridge’s

Reinhard Mucha, born in Düsseldorf in 1950, could be summed up in this formula with his “model making.” The potential of the matter is his raw material, the potential to radiate neuralgic emotional states with a sculptural frequency all its own. Filing cabinets, index card boxes, historical furniture—for Mucha, not

The exhibition, curated in collaboration with the artist of the Royal Academy of London, presents recordings of legendary performances, photographs, videos, sculptures and live re-enactments of four iconic performances performed for the first time in the Netherlands: These performances, Art Must Be Beautiful, Artist Must Be Beautiful (1975), Imponderabilia (work