Author Archives: camilla

Ettore Spalletti since the mid-1970s has created a language suspended between painting and sculpture, in a focus on light and space, recalling both modern abstraction and the geometries of Renaissance painting. For this reason, thanks to a close collaboration between different cultural institutions, it will be possible to witness a

The idea is original: to show works that have been commissioned but rejected by clients. This is what photographers Clegg & Guttmann propose for their Rejected exhibition at the Konschthal Esch. Michael Clegg and Yair Martin Guttmann have been practising portrait photography since the 1980s. In this post-modern era where

2022 marks the centenary of the birth of Pier Paolo Pasolini, one of the most complex and essential intellectuals and creators of the 20th century. To mark the occasion, the Gallerie Nazionali Barberini Corsini, the Fondazione MAXXI and the Azienda Speciale Palaexpo di Roma are launching a coordinated project to

The photographer and video artist Tobias Zielony (born in 1973 in Wuppertal, lives in Berlin) explores darkness as a physical, social and metaphorical phenomenon. The solo exhibition Dark Data explores the space between the illuminating moment of an image and the hidden information within it.

On Thursday 15 December 2022, Fondazione Pastificio Cerere will be presenting Non mi troverai (You Won’t Find Me), a photographic story by Anton Giulio Onofri with the contribution of Gian Maria Tosatti. The exhibition, which has been curated by Saverio Verini and will be open to the public from Friday

On the occasion of the inauguration of the new exhibit “ANIMALI, VEGETALI, ROCCE E MINERALI: LE COLLEZIONI ISPRA > Verso un museo multispecie” Marzia Migliora presents the environmental sound installation “Multispecies Sound Score” in dialogue with the ISPRA collections. The intervention suggests the possibility of new experiences of the exhibits

On Thursday, Dec. 15, at 7 p.m., Domenico Antonio Mancini will talk with Caterina Riva, artistic director of MACTE in Termoli (CB), a museum that, like MAC, has an art prize, the Termoli Prize (1955), which has given rise to a rich museum collection.

Presented by the Arsht Center for three days only during Miami Art Week 2022, William Kentridge’s THE HEAD & THE LOAD invites audiences directly onto the Lynn Wolfson stage of the Ziff Ballet Opera House to be immersed in a powerful story about Africans in World War I. With the wings

On the occasion of the context-specific intervention N 0 created by Domenico Antonio Mancini in the Gino Meloni Room and on view through Jan. 29, on Wednesday, Nov. 30 at 7 p.m., Riccardo Venturi, art historian and critic, professor of Theory and History of Art at Paris 1 Panthéon-Sorbonne University