Author Archives: camilla

It’s Art Week time in Milan: from 11 to 16 April 2023, on the occasion of Miart, the international fair for modern and contemporary art, the Lombard capital will be studded with exhibitions, openings and unmissable events.

From 7 May 2023 to 24 February 2024 the Fondazione Antonio Dalle Nogare presents I Have to Think About It, the first retrospective exhibition in an Italian institution of the Argentinean artist David Lamelas (Buenos Aires, 1946). The author of one of the most fascinating artistic researches with a conceptual

“La guerra è finita! La pace non è ancora iniziata“, through a selection of artists’ works, invites us to observe the seemingly concluded conflicts of our time and past history and to reflect on the profound difference between the simple ending or stalemate of the armed phase of a conflict

The Juan March Foundation is hosting an exhibition on the history of contemporary sculpture from the notion of scale from 31 March to 2 July.  It is an exhibition that extends the Half a Century of Sculpture (1900-1945) exhibition held by the Foundation in 1981 in terms of time and

This exhibition brings together some of the most significant contemporary artists who have worked, and are working, on the relationship between art, creativity, aesthetics and the natural territory inhabited by humankind. The selection, focusing on Italian artists, spans a timeframe stretching from the 1960s to the present day, a period

GAM – Galleria Civica d’Arte Moderna e Contemporanea of Turin continues exploring its own heritage by dedicating a chapter to Italian sculpture between 1940 and 1980 with an exhibition that presents 50 works made by 40 artistsactive during that time: forty years of monumental change and major stylistic milestones, in

An everyday and ephemeral element, food is, paradoxically, the object we mostly deal with throughout our existence. With the exhibition Food Age. Food as Influencer, Martí Guixé and Inga Knölke bring it onto the stage and, through a subliminal reading, they offer it to the public from an entirely new

Continuing with a thread of works that comingle language, memory and vision between extremities of light and darkness (Midnight Crossing, 1997 and The Storyteller’s Room, 1998, The Slow Torque of Bonsai, 2017), Afterwards will utilize considerably more found objects—debris, surplus, cast out furnishings, tools etc. that are consciously setup to generate overlapping

“What you see in front of you, is the past. You cannot see the future,” Tarik Yildrim said one evening over dinner. “The future is behind us.” The exhibition gathers artworks to think about time: vertical time of ideas passing from one generation to the next; from one place to

The exhibition celebrates Hopps’s interest in photography, a hobby since childhood, which was reignited when he met William Christenberry, who in turn introduced him to two foundational figures in American photography, William Eggleston and Walker Evans. Throughout the 1980s and 1990s, Hopps continued to showcase emerging artists such as Gretchen